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Simon Pullman

Simon Pullman (15 February 1890, Warsaw – August 1942, Treblinka) was a violinist, conductor, music teacher and founder and Director of the Pullman Ensemble and Orchestra, and a seminal figure in the evolution of chamber music performance.

Born in Warsaw, he was a nephew of the famous Yiddish actress Esther Rachel Kaminska and cousin of Ida Kaminska and Josef Kaminsky. He studied with Leopold von Auer at the St. Petersburg Conservatory (1905-1909) where he received his diploma. 1913 he continued his studies with Martin Pierre Marsick at the Conservatoire de Paris. Back in Warsaw, he founded and led a chamber orchestra specialised on music of the Vienna Classic (1915 to 1920).[1][2] In the 1920s and 30s he taught violin, viola, and chamber music at the New Vienna Conservatory (Neues Wiener Konservatorium), where he coached several groups including the Galimir String Quartet (led by Felix Galimir).[3] In 1930 he founded the Pullman Ensemble, consisting of 17 string players (4 string quartets with a double-bass), of which the specialty was their performance of Beethoven's Große Fuge Op. 133 and String Quartet in C# minor Op. 131. Later, 10 windplayers were added to form the Pullman Orchestra, which performed regularly in Vienna and throughout Europe until 1938, when Pullman was able to escape to Paris.

According to his students and colleagues, Pullman was a visionary musician; his desire for a kind of revelatory ensemble playing led him to make use of the widest possible range of string tone, to demand a perfect legato, and to search out highly unorthodox fingerings to match his conceptions of phrasing. Rehearsals were intense and long — however, they functioned as rolling all-day affairs where members came and went as their schedules permitted. Through his pupils Felix Galimir, Richard Goldner, and others, his ideas influenced the training of generations of chamber music performers in the U. S., Australia (Musica Viva Australia), and elsewhere.[4][5]

In August 1939, he visited Warsaw, Poland, in an attempt to sell a house belonging to his wife, and was trapped there by the German invasion. Imprisoned in the Warsaw Ghetto, he directed (beneath the orchestra founders Marian Neuteich and Adam Furmanski) the Warsaw Ghetto Symphony Orchestra, which included among notable musicians, Ludwik Holcman.[6] The band performed frequently from 1940-1942. Pullman was transported to Treblinka extermination camp in early August 1942, and like him all of the members of the orchestra were presumed to have been killed.[7][8]


  1. Blaszczyk, Tadeusz (1964). Dyrygenci polscy i obcy w Polsce dzialajacy w XIX i XX wieku. Polskie Wydawnictwo Muzyczne, Kraków. 
  2. Fuks, Marian (1989). Muzyka ocalona. Judaica polskie, Warszawa. 
  3. Reitler, Josef (1934). 25 Jahre Neues Wiener Konservatorium 1909-1934. Neues Wiener Konservatorium, Wien. 
  4. Blum, David (3 Nov 1996). A Violinist already a Legend but still a Dynamo. New York Times, New York. 
  5. Shmith, Michael (1996). Musica Viva Australia. The First Fifty Years. Playbill Pty. Ltd., Sydney. 
  6. Eisenberg, Azriel Louis (1981). Witness to the Holocaust. Pilgrim Press. ISBN 0-8298-0432-3. 
  7. Reich-Ranicki, Marcel (1999). Mein Leben. Deutsche Verlags-Anstalt, Stuttgart. 
  8. Gilbert, Shirli (2005). Music in the Holocaust: confronting life in the Nazi ghettos and camps. Clarendon Press, Oxford. 

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