Roger Miller in 1975
Roger Dean Miller, Sr.|
January 2, 1936
Fort Worth, Texas, U.S.
October 25, 1992 (aged 56)|
Los Angeles, California, U.S.
|Cause of death||Lung cancer|
Roger Miller, Sr.|
Roger D. Miller, Sr.
"The Wild Child"
|Occupation||Singer, songwriter, musician, actor|
Barbara (m. 19??; div. 19??)|
Leah Kendrick (m. 1964–76)
Mary Arnold (m. 1977–92)
|Parents||Jean and Laudene (Holt) Miller|
Roger Dean Miller, Sr. (January 2, 1936 – October 25, 1992) was an American singer-songwriter, musician, and actor, best known for his honky-tonk-influenced novelty songs. His most recognized tunes included the chart-topping country and pop hits "King of the Road", "Dang Me", and "England Swings", all from the mid-1960s Nashville sound era.
After growing up in Oklahoma and serving in the United States Army, Miller began his musical career as a songwriter in the late 1950s, writing such hits as "Billy Bayou" and "Home" for Jim Reeves and "Invitation to the Blues" for Ray Price. He later began a recording career and reached the peak of his fame in the mid-1960s, continuing to record and tour into the 1990s, charting his final top 20 country hit "Old Friends" with Willie Nelson in 1982. He also wrote and performed several of the songs for the 1973 Disney animated film Robin Hood. Later in his life, he wrote the music and lyrics for the 1985 Tony-award winning Broadway musical Big River, in which he acted.
Miller died from lung cancer in 1992 and was inducted into the Country Music Hall of Fame three years later. His songs continued to be recorded by other singers, with covers of "Tall, Tall Trees" by Alan Jackson and "Husbands and Wives" by Brooks & Dunn; both reached the number one spot on country charts in the 1990s. The Roger Miller Museum in his home town of Erick, Oklahoma, is a tribute to Miller.
Roger Miller was born in Fort Worth, Texas, the third son of Jean and Laudene (Holt) Miller. Jean Miller died from spinal meningitis when Miller was a year old. Unable to support the family during the Great Depression, Laudene sent her three sons to live with three of Jean's brothers. Thus, Miller grew up on a farm outside Erick, Oklahoma, with Elmer and Armelia Miller.
As a boy, Miller did farm work, such as picking cotton and plowing. He would later say he was "dirt poor" and that as late as 1951 the family did not own a telephone. He received his primary education at a one-room schoolhouse. Miller was an introverted child, and would often daydream or compose songs. One of his earliest compositions went: "There's a picture on the wall. It's the dearest of them all, Mother."
Miller was a member of the National FFA Organization in high school. He listened to the Grand Ole Opry and Light Crust Doughboys on a Fort Worth station with his cousin's husband, Sheb Wooley. Wooley taught Miller his first guitar chords and bought him a fiddle. Wooley, Hank Williams, and Bob Wills were the influences that led to Miller's desire to be a singer-songwriter. He began to run away and perform in Oklahoma and Texas. At 17, he stole a guitar out of desperation to write songs; however, he turned himself in the next day. He chose to enlist in the United States Army to avoid jail. He later quipped, "My education was Korea, Clash of '52." Near the end of his military service, while stationed in Atlanta, Georgia, Miller played fiddle in the "Circle A Wranglers," a military musical group started by Faron Young. While Miller was stationed in South Carolina, an army sergeant whose brother was Kenneth C. "Jethro" Burns, from the musical duo Homer and Jethro, persuaded him to head to Nashville after his discharge.
On leaving the Army, Miller traveled to Nashville to begin his musical career. He met with Chet Atkins, who asked to hear him sing, loaning him a guitar since Miller did not own one. Out of nervousness, Miller played the guitar and sang a song in two different keys. Atkins advised him to come back later, when he had more experience. Miller found work as a bellhop at Nashville's Andrew Jackson Hotel, and he was soon known as the "singing bellhop." He was finally hired by Minnie Pearl to play the fiddle in her band. He then met George Jones, who introduced him to music executives from the Starday Records label who scheduled an audition. Impressed, the executives set up a recording session with Jones in Houston. Jones and Miller collaborated to write "Tall, Tall Trees" and "Happy Child."
After marrying and becoming a father, Miller put aside his music career to be a fireman in Amarillo, Texas. A fireman by day, he performed at night. Miller said that as a fireman he saw only two fires, one in a "chicken coop" and another he "slept through," after which the department "suggested that...[he] seek other employment." Miller met Ray Price, and became a member of his Cherokee Cowboys. He returned to Nashville and wrote "Invitation to the Blues," which was covered by Rex Allen and later by Ray Price, whose recording was a number three hit on country charts. Miller then signed with Tree Publishing on a salary of $50 a week. He wrote: "Half a Mind" for Ernest Tubb, "That's the Way I Feel" for Faron Young; and his first number one, "Billy Bayou," which along with "Home" was recorded by Jim Reeves. Miller became one of the biggest songwriters of the 1950s; however, Bill Anderson would later remark that "Roger was the most talented, and least disciplined, person that you could imagine," citing the attempts of Miller's Tree Publishing boss, Buddy Killen to force him to finish a piece. He was known to give away lines, inciting many Nashville songwriters to follow him around since, according to Killen, "everything he said was a potential song."
Miller signed a recording deal with Decca Records in 1958. He was paired with singer Donny Lytle, who later gained fame under the name Johnny Paycheck, to perform the Miller-written "A Man Like Me," and later "The Wrong Kind of Girl." Neither of these honky-tonk-style songs charted. His second single with the label, featuring the B-side "Jason Fleming," foreshadowed Miller's future style. To make money, Miller went on tour with Faron Young's band as a drummer, although he had never drummed. During this period, he signed a record deal with Chet Atkins at RCA Victor, for whom Miller recorded "You Don't Want My Love" (also known as "In the Summertime") in 1960, which marked his first appearance on country charts, peaking at No. 14. The next year he made an even bigger impact, breaking through the top 10 with his single "When Two Worlds Collide", co-written with Bill Anderson. But Miller soon tired of writing songs, divorced his wife, and began a party lifestyle that earned him the moniker "wild child." He was dropped from his record label and began to pursue other interests.
Husbands and Wives" on the set of his television show in 1966]]
After numerous appearances on late night comedy shows, Miller decided that he might have a chance in Hollywood as an actor. Short of money, he signed with the up-and-coming label Smash Records, asked the label for $1,600 in cash in exchange for recording 16 sides. Smash agreed to the proposal, and Miller performed his first session for the company early in 1964, when he recorded the hits "Dang Me" and "Chug-a-Lug". Both were released as singles, peaking at No. 1 and No. 3 respectively on country charts; both fared well on the Billboard Hot 100 reaching No. 7 and No. 9. The songs transformed Miller's career, although the former was penned by Miller in just four minutes. Later that year, he recorded the No. 15 hit "Do-Wacka-Do," and soon after, the biggest hit of his career "King of the Road", which topped Country and Adult Contemporary charts while peaking at No. 4 on the Billboard 100. It also reached No. 1 in the UK Singles Chart for one week in May 1965. The song was inspired by a sign in Chicago that read "Trailers for Sale or Rent" and a hobo who happened upon Miller at an airport in Boise, but Miller needed months to write the song, which was certified gold in May 1965 after selling a million copies. It won numerous awards and earned a royalty check of $160,000 that summer. Later in the year Miller scored hits with "Engine Engine No. 9", "Kansas City Star" (a Top Ten country hit in 1965 about a local television children's show personality who would rather stay in the safety and security of his success in Kansas City than become a bigger star – or risk failure – in Omaha), and "England Swings" (an adult contemporary No. 1). He began 1966 with the hit "Husbands and Wives."
Miller was given his own TV show on NBC in September 1966 but it was canceled after 13 weeks in January 1967. During this period Miller recorded songs written by other songwriters. The final hit of his own composition was "Walkin in the Sunshine," which reached No. 7 and No. 6 on the country and adult contemporary charts in 1967. Later in the year he scored his final top 10 hit with a lowkey cover of Bobby Russell's "Little Green Apples". The next year, he was first to cover Kris Kristofferson's "Me and Bobby McGee," taking the song to No. 12 on country charts. In 1970, Miller recorded the album A Trip in the Country, honky-tonk-style standards penned by Miller, including "Tall, Tall Trees." Later that year, after Smash Records folded, Miller was signed by Columbia Records, for whom he released Dear Folks: Sorry I Haven't Written Lately in 1973. Later that year, Miller wrote and performed three songs in the Walt Disney animated feature Robin Hood as the rooster and minstrel Allan-a-Dale, including "Whistle-Stop" which was sampled for use in the popular Hampster Dance web site. The other songs are Oo-De-Lally and Not In Nottingham. He provided the voice of Speiltoe, the equine narrator of the Rankin/Bass holiday special Nestor the Long-Eared Christmas Donkey in 1977. Miller collaborated with Willie Nelson on an album titled Old Friends. The title track was based on a song he had previously penned for his family in Oklahoma. The song, with guest vocals from Ray Price, was the last hit of Miller's career, peaking at No. 19 on country charts in 1982.
He continued to record for different record labels and charted a few songs, but stopped writing in 1978, feeling that his more "artistic" works were not appreciated. This was the time when his only visit to England led him to Kippax. He played the social club there but was outdone by 17 Elvis performers. He was absent from the entertainment business following the release of Old Friends in 1981, but returned after receiving an offer to write a Broadway score for a musical based upon Mark Twain's Adventures of Huckleberry Finn. Although he had not read the novel, Miller accepted the offer after discovering how the story brought him back to his childhood in rural Oklahoma. It took a year and a half to write the opening, but he eventually finished it. The work, entitled Big River premiered at Eugene O'Neill Theatre in New York on April 25, 1985. The musical received glowing reviews, earning seven Tony Awards including "Best Score" for Miller. He acted the part of Huck Finn's father Pap for three months after the exit of actor John Goodman, who left for Hollywood. In 1983, Miller played a dramatic role on an episode of Quincy, M.E. He played a country and western singer who is severely burned while freebasing cocaine.
Miller left for Santa Fe to live with his family following the success of Big River. He co-wrote Dwight Yoakam's hit "It Only Hurts When I Cry" from his 1990 album If There Was a Way, and supplied background vocals. The song was released as a single in 1991, peaking at No. 7 on country charts. He began a solo guitar tour in 1990, ending the following year after being diagnosed with lung cancer. His last performance on television occurred on a special tribute to Minnie Pearl which aired on TNN on October 26, 1992, the day after Miller's death.
Although he is usually grouped with country music singers, Miller's unique style defies easy classification. Many of his recordings were humorous novelty songs with whimsical lyrics, coupled with scat singing or vocalese riffs filled with nonsense syllables. Others were sincere ballads which caught the public's fancy, like his signature song, "King of the Road." The biographical book Ain't Got No Cigarettes described Miller as an "uncategorizable talent" and stated that many regarded him as a genius.
Miller's whimsical lyrics and nonsense sounding style led to him writing and performing songs for childrens' films such as "Oo-de-Lally" for the Disney animated film Robin Hood. During his most successful years as a songwriter and singer, Miller's music was placed in the country genre due to his somewhat country or folk sounding voice and the use of an acoustic guitar, although his lyrics were found to be sporadic and random at times. Yet even Miller's lyrics pointed his music toward country because of their having a "bluegrass" ring to them, most commonly found in his most recognizable song, "King of the Road".
On his own style, Miller remarked that he "tried to do" things like other artists but that it "always came out different" so he got "frustrated" until realizing "I'm the only one that knows what I'm thinking." He commented that the favorite song that he wrote was "You Can't Rollerskate in a Buffalo Herd." Johnny Cash discussed Miller's bass vocal range in his 1997 autobiography. He stated that it was the closest to his own that he had heard.
Personal life and death
Miller was married three times and fathered seven children. Miller married Barbara Crow, from Shamrock, Texas, when she was 17. The couple had four children. The first child, Michael, died shortly after birth due to heart issues. They had three more children — Alan, Rhonda, and Shari. By the time Shari was born, Miller's career was blossoming into national popularity. The family remained in Inglewood for a short time after Miller found fame. The increasing interest in Miller caused struggles for the performer: He suffered from depression and insomnia, and had a drug addiction which contributed to the end of his first and second marriages. Miller was also notorious for walking off shows and fighting.
After he divorced Barbara, he married Leah Kendrick, who was pregnant with his child. Leah and Roger had two children, Shannon and Dean Miller, who like his father, went on to become a singer-songwriter. The Christmas song "Old Toy Trains" was written by Miller about his son, who was two years old when it was released in 1967. However, this fact is disputed by Miller's son, Alan, who says the song was written for him. After divorcing Leah, Miller married Mary Arnold, whom he met through Kenny Rogers. Arnold was a member of The First Edition, a band that included Rogers. They adopted two children: Taylor and Adam. After the break-up of The First Edition, she performed with her husband Miller on tours, including a White House performance for President Gerald Ford. In 2009, she was inducted into the Iowa Rock 'n' Roll Hall of Fame. She currently manages Roger Miller's estate. She sued Sony for copyright infringement in the 2007 case Roger Miller Music, Inc. v. Sony/ATV Publishing, LLC, which went to the United States Court of Appeals for the Sixth Circuit. Arnold was ultimately awarded nearly $1 million in royalties and rights to the songs Miller wrote in 1964.
Miller was a lifelong cigarette smoker. During a television interview, Miller explained that he composed his songs from "bits and pieces" of ideas he wrote on scraps of paper. When asked what he did with the unused bits and pieces, he half-joked, "I smoke 'em!" He also wrote a song about his habit, titled "Dad Blame Anything A Man Can't Quit". Miller died of lung and throat cancer in 1992, at age 56, shortly after the discovery of a malignant tumor under his vocal cords. His remains were cremated.
A main street in Erick, Oklahoma was named Roger Miller Boulevard in his memory.
He was posthumously inducted into the Country Music Hall of Fame in 1995.
In popular culture
- In 1969, Miller appeared on the television show Daniel Boone as American folk hero Johnny Appleseed. In Miller's version of Appleseed, singing was quite common.
- In 2007, music of "King of the Road" was used in a scene in the film Into The Wild, where a character in the film makes a mention of the song in writing a letter.
- He composed and performed a number of songs in the Disney animated film Robin Hood (1973). The Roger Miller song "Whistle-Stop" was whistled by the rooster character Alan-a-Dale. Other Miller songs sung by him included "Oo-De-Lally" in two versions and "Not In Nottingham".
- The "Hampster Dance" single in 2000 was based on the melody of "Whistle Stop". The Internet meme on which "Hampster Dance" was based used a sped-up version of Roger Miller's recording. The commercial song for Hampton the Hamster was altered to a sound-alike sample when the producers failed to obtain the rights to the original song.
- Waterhole No. 3 (1967) - Balladeer (voice)
- Daniel Boone (1969) - Johnny Appleseed
- Robin Hood (1973) - Alan-a-Dale - The Rooster (voice)
- Murder, She Wrote Season 1, Episode 5, It's A Dog's Life (Airdate: Nov. 4, 1984) the Sheriff
- Lucky Luke (1991) - Jolly Jumper (voice).
- Quincy, M.E. (1983) On Dying High S8/Ep16 (undated CF 2825 well)
- "The Muppet Show" Season 3, Episode 21 (Airdate: May 10, 1979) guest star
- Roger and Out (1964)
- The Return of Roger Miller (1965)
- The 3rd Time Around (1965)
- Words and Music (1966)
- Walkin' in the Sunshine (1967)
- A Tender Look at Love (1968)
- Roger Miller (1969)
- Roger Miller Featuring Dang Me! (1969)
- A Trip in the Country (1970)
- Roger Miller 1970 (1970)
- Dear Folks, Sorry I Haven't Written Lately (1973)
- Celebration (1976)
- Painted Poetry (1977)
- Off the Wall (1978)
- Waterhole No. 3 (1978)
- Making a Name for Myself (1979)
- Old Friends (with Willie Nelson) (1982)
- The Country Side of Roger Miller (1986)
- Green Green Grass of Home (1994)
- King of the Road: The Genius of Roger Miller (1995)
- Released and recorded by Miller
- "Dang Me" (1964)
- "King of the Road" (1965)
- "England Swings" (1966)
- Recorded and released by other artists
- "Billy Bayou" – Jim Reeves (1958)
- "Don't We All Have the Right" – Ricky Van Shelton (1988)
- "Tall, Tall Trees" – Alan Jackson (1995)
- "Husbands and Wives" – Brooks & Dunn (1998)
In addition to 11 Grammy Awards, Roger Miller won Broadway's Tony Award for writing the music and lyrics for Big River, which won a total of 7 Tony's including best musical in 1985. He was voted into the Nashville Songwriters Hall of Fame in 1973 and the Country Music Hall of Fame in 1995. Miller's 11 Grammy Awards held the record as the most won by a single artist until Michael Jackson's 1982 album Thriller. In Erick, Oklahoma where he grew up, a thoroughfare was renamed "Roger Miller Boulevard" and a museum dedicated to Miller was built on the road in 2004.
Below is a list of awards won by Miller:
- 1964 — Grammy Award: Best Country Song: "Dang Me"
- 1964 — Grammy Award: Best New Country and Western Artist
- 1964 — Grammy Award: Best Country and Western Recording, Single: "Dang Me"
- 1964 — Grammy Award: Best Country and Western Performance, Male: "Dang Me"
- 1964 — Grammy Award: Best Country and Western Album: "Dang Me"/"Chug-a-Lug"
- 1965 — Jukebox Artist of the Year
- 1965 — Grammy Award: Best Country Song: "King of the Road"
- 1965 — Grammy Award: Best Country Vocal Performance, Male: "King of the Road"
- 1965 — Grammy Award: Best Country and Western Recording, Single: "King of the Road"
- 1965 — Grammy Award: Best Contemporary Vocal Performance, Male: "King of the Road"
- 1965 — Grammy Award: Best Contemporary (Rock 'N Roll), Single: "King of the Road"
- 1965 — Grammy Award: Best Country and Western Album: "The Return of Roger Miller"
- 1965 — Academy of Country and Western Music: "Best Songwriter"
- 1965 — Academy of Country and Western Music: "Man of the Year"
- 1973 — Nashville Songwriters Hall of Fame
- 1985 — Tony Award for Best Score and Drama Desk Award for Outstanding Lyrics for Big River
- 1988 — Academy of Country Music: Pioneer Award
- 1995 — Country Music Hall of Fame
- 1997 — Grammy Hall of Fame Song : "Dang Me"
- 1998 — Grammy Hall of Fame Song : "King of the Road"
- 2003 — CMT's 40 Greatest Men of Country Music: Ranked No. 23.
- "Biography". rogermiller.com. http://www.rogermiller.com/bio1.html. Retrieved 2010-07-11.
- Landon, Grelun; Stambler, Irwin; Stambler, Lyndon (2000). "Roger Miller". The Encyclopedia of Country Music. Macmillan. pp. 311–314.
- "High School Papers". rogermiller.com. http://www.rogermiller.com/SchoolPaper.html. Retrieved 2010-07-11.
- "Roger Miller Biography". CMT. http://www.cmt.com/artists/az/miller_roger_country_/bio.jhtml. Retrieved 2010-07-11.
- Simpson, Paul (2003). The Rough Guide to Cult Pop. London: Rough Guides Ltd. p. 218. ISBN 1-84353-229-8. https://books.google.com/?id=F7hpXcrqA-8C&lpg=PA218&dq=roger%20miller%20human%20mind%20wonderful&pg=PA2#v=onepage&q=roger%20miller%20human%20mind%20wonderful&f=false.
- Cooper, Daniel. "The Roger Miller Story". Country Music Hall of Fame. http://www.countrymusichalloffame.org/full-list-of-inductees/view/roger-miller.
- "Country Music News - Nash Country Daily". http://www.countryweekly.com/vault/story-behind-song-when-two-worlds-collide.
- "Roger Miller > Charts & Awards > Billboard Singles". AllMusic. http://www.allmusic.com/artist/p13680/charts-awards/billboard-singles. Retrieved 2010-07-11.
- "Nestor the Long-Eared Christmas Donkey". Internet Movie Database. http://www.imdb.com/title/tt0076448/. Retrieved 2010-07-11.
- Holden, Stephen (October 27, 1992). "Roger Miller, Quirky Country Singer and Songwriter, Is Dead at 56". New York Times. https://www.nytimes.com/1992/10/27/arts/roger-miller-quirky-country-singer-and-songwriter-is-dead-at-56.html.
- Jurek, Thom. "If There Was a Way". AllMusic. http://www.allmusic.com/album/r123540. Retrieved 2010-07-11.
- "If There Was a Way > Chart & Awards > Billboard Singles". AllMusic. http://www.allmusic.com/album/r123540/charts-awards/billboard-single. Retrieved 2010-07-11.
- "In brief:". New York Magazine. October 26, 1992. p. 85.
- Malone, Bill C. (1969). Country music U.S.A: a fifty-year history. University of Texas Press. p. 261. ISBN 978-0-292-71029-0.
- "The Unhokey Okie". Time. May 5, 1965. http://www.time.com/time/magazine/article/0,9171,833570,00.html.
- Style, Lyle. "Ain't Got No Cigarettes". Great Plains Publications. p. 65. ISBN 978-1-894283-60-1.
- Roger miller agrees 'words are his toys'. (1966, Sep 11). Los Angeles Times (1923-Current File)
- By, JON P. "Music: Roger Miller." New York Times (1923-Current file), New York, N.Y., 1987.
- "Biography for Roger Miller". Internet Movie Database. http://www.imdb.com/name/nm0589248/bio. Retrieved 2010-07-11.
- Van Ostrand, Maggie (October 26, 2006). "Thirty or More Things You Should Know About Roger Miller". texasescapes.com. http://www.texasescapes.com/MaggieVanOstrand/RogerMiller1203.htm.
- "Iowa Rock'n Roll Music Association 2009 Hall of Fame Inductee...". Iowa Rock'n Roll Music Association. http://www.iowarocknroll.com/inductee-details.php?id=226. Retrieved 2010-07-11.
- "Roger Miller Music, Inc., and Mary A. Miller v. Sont/ATV Publishing, LLC". United States Court of Appeals. February 13, 2007. http://www.ca6.uscourts.gov/opinions.pdf/07a0060p-06.pdf.
- "Roger Miller's Widow Wins – Court Victory Equals $900,000 in Royalties". National Ledger. March 23, 2010. http://www.nationalledger.com/ledgerpop/article_272630978.shtml. Retrieved Mar 24, 2010.
- Daniel Boone TV series season 6 episode 140, "A Very Small Rifle."
- "Roger Miller > Discography > Main Albums". AllMusic. http://www.allmusic.com/artist/p13680/discography. Retrieved 2010-07-11.
- Flippo, Chet (June 3, 2004). "Nashville Skyline: Roger Miller Gets a Museum". CMT. http://www.cmt.com/news/nashville-skyline/1488141/nashville-skyline-roger-miller-gets-a-museum.jhtml.
- "Roger Miller". Nashville Songwriter's Hall of Fame. http://www.nashvillesongwritersfoundation.com/l-o/roger-miller.aspx. Retrieved 2010-07-11.
- Cooper, Daniel. (1998). "Roger Miller." In The Encyclopedia of Country Music. Paul Kingsbury, Ed. New York: Oxford University Press. pp. 347–8.
- All Roger Miller Songs Written and Released
- Episode of Quincy ME starring Roger Miller
- Roger Miller at the Internet Movie Database
- Roger Miller at the Internet Broadway Database
- Roger Miller Museum in Erick, Oklahoma
- Roger Miller interview on the Pop Chronicles
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