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Mehdi Mirza Mehdi Tehrani

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Mehdi Mirza Mehdi Tehrani
Mehdi Tehrani 2024
Personal details
Born
Mehdi Mirza Mehdi Tehrani

March 13, 1970 (1970-03-13) (age 55)
Tehran, Iran
Occupation professor (in Aesthetics and Film Studies)
Journalist
Alma mater

McGill University University College London

Military career
Allegiance Iran
Service/branch

Basij

Islamic Republic of Iran Navy
Years of service 1985-1991
1992-1995
Rank
Unit 1st Marine Brigade (Iran)
Battles/wars

Iran–Iraq War (Wounded in Action)

Operation Karbala-4
Operation Karbala-8
Second Battle of al-Faw
Awards


Order of Altruism

Mehdi Mirza Mehdi Tehrani (Persian: مهدی میرزا مهدی تهرانی‎), (born March 13, 1970 in Tehran) is an Iranian professor, journalist, and Veteran as a Former Marines Commando during the Iran–Iraq War. He is the holder Order of Altruism (1st class, May 19, 2020).[1]

Academic background[]

Tehrani learned the basics of intervening in translation and historiography from Reza Seyed-Hosseini. Akbar Alemi, Arthur Knight, Christian Ross, and Arthur Asa Berger are also notable as his Masters in film studies. He holds a PhD in Film and Visual Media Studies from McGill University in 1999. He is a full time professor at College of Fine Arts (University of Tehran). He was never an employee of any media or newspaper but Tehrani has been working as a freelance journalist and Independent Academic writer in the Iranian press for more than three decades.[2][3][4][5]

Mehdi tehrani (4)

Lt Cdr. Mehdi Mirza Mehdi Tehrani in 1988

Military background[]

Lt Cdr Mehdi Tehrani was the commander of the independent battalion of Basij marine rangers in the Operation Karbala-4. This battalion, which was officially called Admiral Gholamali Bayandor's unit and had 500 rangers and currently he is the last and only survivor of this battalion. He was seriously injured in the Iran-Iraq war due to chemical gases that affect the soldiers' blood system. At 18 years, 10 months and 2 days, he is the youngest Marines battalion commander in the history of the Iran-Iraq war (in the Operation Karbala-4) .He is the holder Order of Altruism (1st class, May 19, 2020).[6][7][8]

Some works[]

  • ک مثل کارتون (جایگاه کمپانی های بزرگ و استودیوهای مستقل در روند رشد و فراگیری سینمای انیمیشن : 1927-2003 - .Tehrani, Mehdi (2003) Farabi Cinema Quarterly. 49 (3):143–154.[9][10]
  • سی نما و مخاطب: سینمای ایران و مخاطبان آن: پویایی دوره ای و درماندگی دوره ای سینمای ایران (نگاهی به روند شکل گیری و هویت یابی سینما در بیست و پنج سال اخیر). Tehrani, Mehdi (2003) Farabi Cinema Quarterly. 50 (4):PP:33–60.[11][12]

References[]

  1. ↑ Mirz Mehdi Tehrani, Mehdi. "Mehdi Tehrani" (in fa,en). https://www.hamshahrionline.ir/archive?pi=1&kw=%D9%85%D9%87%D8%AF%DB%8C%20%D8%AA%D9%87%D8%B1%D8%A7%D9%86%DB%8C&ms=0&yr=1402. 
  2. ↑ TABNAK, تابناک | (2010-09-07). "جانباز دولتی و جانباز غیردولتی!" (in fa). https://www.tabnak.ir/fa/news/118715. 
  3. ↑ "مفاهیم: مک‌گافین در سینما چیست؟" (in fa). 2015-10-28. https://www.hamshahrionline.ir/news/311780/%D9%85%D9%81%D8%A7%D9%87%DB%8C%D9%85-%D9%85%DA%A9-%DA%AF%D8%A7%D9%81%DB%8C%D9%86-%D8%AF%D8%B1-%D8%B3%DB%8C%D9%86%D9%85%D8%A7-%DA%86%DB%8C%D8%B3%D8%AA. 
  4. ↑ Klarcsonova, Catarina (2024-01-05). "Mehdi Tehrani's Cinematic View and Narrative of Dead New Wave" (in en). https://www.iranart.news/Section-cinema-4/70381-mehdi-tehrani-cinematic-view-and-narrative-of-dead-new-wave. 
  5. ↑ "همه نقدها و یادداشت‌های مهدی تهرانی | منظوم" (in fa-ir). https://www.manzoom.ir/critic/cr0000087/. 
  6. ↑ Abbasian, Elnaz (2023-12-24). "The untold stories of commodore Mirza Mehdi Tehrani's marine ranger from the Operation Karbala-4" (in fa, en). https://www.hamshahrionline.ir/news/818539/%D8%AA%DA%A9%D8%A7%D9%88%D8%B1-%D8%BA%D9%88%D8%A7%D8%B5-%DA%A9%D8%B1%D8%A8%D9%84%D8%A7%DB%8C%DB%B4-%D8%B3%D9%88%D9%85-%D8%AF%DB%8C-%DB%B1%DB%B3%DB%B6%DB%B5-%D8%AA%D8%A7%D8%B3%D9%88%D8%B9%D8%A7%DB%8C-%D8%B4%D9%87%D8%AF%D8%A7%DB%8C-%D8%AC%D9%86%DA%AF-%D9%88-%D8%AF%D8%A7%D8%BA-%D8%AF%D9%84-%D9%85%D8%A7%D9%86%D8%AF%DA%AF%D8%A7%D8%B1. 
  7. ↑ "غفلت تاریخ شفاهی از کربلای 4؛ به یاد رفقای پرکشیده گردان‌های غواص" (in fa). 2021-12-23. https://www.khabaronline.ir/news/1585481/%D8%BA%D9%81%D9%84%D8%AA-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE-%D8%B4%D9%81%D8%A7%D9%87%DB%8C-%D8%A7%D8%B2-%DA%A9%D8%B1%D8%A8%D9%84%D8%A7%DB%8C-4-%D8%A8%D9%87-%DB%8C%D8%A7%D8%AF-%D8%B1%D9%81%D9%82%D8%A7%DB%8C-%D9%BE%D8%B1%DA%A9%D8%B4%DB%8C%D8%AF%D9%87-%DA%AF%D8%B1%D8%AF%D8%A7%D9%86-%D9%87%D8%A7%DB%8C. 
  8. ↑ ""اهدای نشان فداکاری به خانواده های معظم شهدا در دانشگاه افسری امام علی (ع)"" (in fa). 2023-12-09. https://www.mfpa.ir/fa/news/7884/%D8%A8%D9%87-%D8%A7%DB%8C%D8%AB%D8%A7%D8%B1%DA%AF%D8%B1%D8%A7%D9%86-%D9%86%D8%B4%D8%A7%D9%86-%D9%88%DB%8C%DA%98%D9%87-%D8%A7%D9%87%D8%AF%D8%A7-%D9%85%DB%8C-%D8%B4%D9%88%D8%AF. 
  9. ↑ Tehrani, Mehdi (2003). "(Like a cartoon (the position of big companies and independent studios in the process of growing and learning animation cinema (1927-2003))". pp. 143–154. ISSN 1022-3126. https://www.noormags.ir/view/fa/articlepage/311770/%DA%A9-%D9%85%D8%AB%D9%84-%DA%A9%D8%A7%D8%B1%D8%AA%D9%88%D9%86-%D8%AC%D8%A7%DB%8C%DA%AF%D8%A7%D9%87-%DA%A9%D9%85%D9%BE%D8%A7%D9%86%DB%8C-%D9%87%D8%A7%DB%8C-%D8%A8%D8%B2%D8%B1%DA%AF-%D9%88-%D8%A7%D8%B3%D8%AA%D9%88%D8%AF%DB%8C%D9%88%D9%87%D8%A7%DB%8C-%D9%85%D8%B3%D8%AA%D9%82%D9%84-%D8%AF%D8%B1-%D8%B1%D9%88%D9%86%D8%AF-%D8%B1%D8%B4%D8%AF-%D9%88-%D9%81%D8%B1%D8%A7%DA%AF%DB%8C%D8%B1%DB%8C-%D8%B3%DB%8C%D9%86%D9%85%D8%A7%DB%8C-%D8%A7%D9%86%DB%8C%D9%85%DB%8C%D8%B4%D9%86-1927-2003. 
  10. ↑ تهرانی, ‌مهدی (2003-09-23). "ک مثل کارتون (جایگاه کمپانی های بزرگ و استودیوهای مستقل در روند رشد و فراگیری سینمای انیمیشن (1927 - 2003))" (in fa). pp. 143–154. http://noo.rs/JdTxy. 
  11. ↑ Tehrani, Mehdi (2003). "(Si-nama and the audience: Iranian cinema and its audience: periodic dynamism and periodic helplessness of Iranian cinema (a look at the process of the formation and identification of cinema in the last twenty-five years))". pp. PP:33–60. ISSN 1022-3126. https://www.noormags.ir/view/fa/articlepage/311781/%D8%B3%DB%8C-%D9%86%D9%85%D8%A7-%D9%88-%D9%85%D8%AE%D8%A7%D8%B7%D8%A8-%D8%B3%DB%8C%D9%86%D9%85%D8%A7%DB%8C-%D8%A7%DB%8C%D8%B1%D8%A7%D9%86-%D9%88-%D9%85%D8%AE%D8%A7%D8%B7%D8%A8%D8%A7%D9%86-%D8%A7%D9%86-%D9%BE%D9%88%DB%8C%D8%A7%DB%8C%DB%8C-%D8%AF%D9%88%D8%B1%D9%87-%D8%A7%DB%8C-%D9%88-%D8%AF%D8%B1%D9%85%D8%A7%D9%86%D8%AF%DA%AF%DB%8C-%D8%AF%D9%88%D8%B1%D9%87-%D8%A7%DB%8C-%D8%B3%DB%8C%D9%86%D9%85%D8%A7%DB%8C-%D8%A7%DB%8C%D8%B1%D8%A7%D9%86-%D9%86%DA%AF%D8%A7%D9%87%DB%8C-%D8%A8%D9%87-%D8%B1%D9%88%D9%86%D8%AF-%D8%B4%DA%A9%D9%84-%DA%AF%DB%8C%D8%B1%DB%8C-%D9%88-%D9%87%D9%88%DB%8C%D8%AA-%DB%8C%D8%A7%D8%A8%DB%8C-%D8%B3%DB%8C%D9%86%D9%85%D8%A7-%D8%AF%D8%B1-%D8%A8%DB%8C%D8%B3%D8%AA-%D9%88-%D9%BE%D9%86%D8%AC-%D8%B3%D8%A7%D9%84-%D8%A7%D8%AE%DB%8C%D8%B1. 
  12. ↑ تهرانی, ‌مهدی (2003-11-22). "سی نما و مخاطب: سینمای ایران و مخاطبان آن: پویایی دوره ای و درماندگی دوره ای سینمای ایران (نگاهی به روند شکل گیری و هویت یابی سینما در بیست و پنج سال اخیر)" (in fa). pp. 33–60. http://noo.rs/4Mduc. 

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